Posts tagged: Tony Wolf

Bartitsu at CombatCon 2012

Bartitsu instructor Tony Wolf (left) will be teaching an introductory class among the many attractions of CombatCon 2012 at the Tuscany Suites hotel in Las Vegas, Nevada (July 6-8).

A confluence of Western martial arts with pop-culture entertainment genres (horror, pirates, science fiction, steampunk etc.), CombatCon offers a very wide assortment of hands-on classes, demonstrations, panel discussions and vendor’s booths. 19th century antagonistics were well-represented at last years’ convention, which also included a large “museum” room devoted to steampunk artifacts … who knows what else CombatCon 2012 has in store?

Bartitsu seminar with Tony Wolf at Forteza Fitness and Martial Arts (Chicago)

A short “video impression” of the June 22nd Bartitsu seminar at the new (and still under development) Forteza Fitness and Martial Arts studio in Ravenswood, Chicago.

Instructor Tony Wolf led a group of about thirty eager participants through a combination of canonical and neo-Bartitsu drills, concentrating on blending fisticuffs, jujitsu and walking stick defense according to E.W. Barton-Wright’s precept of adaptability:

It is quite unnecessary to try and get your opponent into any particular position, as this system embraces every possible eventuality and your defence and counter-attack must be based entirely upon the actions of your opponent.

Also visible in the clip above are some items from the Forteza “gymuseum”, including original late-19th century posters, antique cast-iron dumbbells, wooden Indian clubs and an 1880s rowing machine.

The new Bartitsu Club of Chicago will be holding its first six-week term at Forteza, beginning January 31st.

Announcing the Bartitsu Club of Chicago

Located in Chicago’s Ravenswood neighborhood, the Bartitsu Club of Chicago offers regular, progressive training in the “lost martial art of Sherlock Holmes”.

History

At the end of the Victorian era, E. W. Barton-Wright combined jiujitsu, kickboxing and stick fighting into the “New Art of Self Defence” known as Bartitsu.  Promoted via exhibitions, magazine articles and challenge contests, Barton-Wright’s New Art was offered as a means by which ladies and gentlemen could beat street hooligans and ruffians at their own game.

Thus, the Bartitsu School of Arms and Physical Culture in London became the headquarters of a radical experiment in martial arts and fitness cross-training. It was also a place to see and be seen; famous actors and actresses, soldiers, athletes and aristocrats eagerly enrolled to learn the secrets of Bartitsu.

In early 1902, for reasons that remain a historical mystery, the London Bartitsu Club closed down.  Barton-Wright’s art was almost forgotten thereafter, except for a single, cryptic reference in Sir Arthur Conan Doyle’s The Adventure of the Empty House, wherein it was revealed as the method by which Sherlock Holmes had defeated Professor Moriarty in their fatal battle at Reichenbach Falls.

Our premise

Bartitsu was abandoned as a work-in-progress one hundred and ten years ago, but what if Barton-Wright’s School of Arms had continued to thrive?  In collaboration with other Bartitsu clubs and study groups throughout the world, the Bartitsu Club of Chicago is proud to pick up where he left off, reviving and continuing the experiment into the new millennium.

Our approach

E.W. Barton-Wright recorded the basics of his “New Art” via lectures, interviews and detailed articles, which form the nucleus of “canonical Bartitsu”.  These methods are practiced as a form of living history preservation and also as a common technical and tactical “language” among modern practitioners.

“Neo-Bartitsu” complements and augments the canon towards an evolving, creative revival as a system of recreational martial arts cross-training.

Our venue

Forteza Fitness, Physical Culture and Martial Arts (4437 North Ravenswood Ave., Chicago, IL 60640) is the ideal venue for reviving Bartitsu.  Directly inspired by Barton-Wright’s School of Arms, Forteza features a unique late-19th century theme; brick walls and a high timber ceiling enclosing 5000 square feet of training space, including a “gymuseum” of functional antique exercise apparatus.

Our classes

Beginning January 31st, 2012, Bartitsu classes at Forteza run from 6.30-8.00 pm on Tuesday and Thursday evenings. The price for a six-week block course is $125.00, with a $25.00 discount for participants who have attended the introductory seminar on January 22nd.

A typical class includes calisthenic warm-ups, specialized movement drills, study of the canonical sequences and neo-Bartitsu “combat improvisation” training.  Participants should wear comfortable exercise clothing and bring a change of shoes for the class.

Contact Rachel Jennings at racheljennings79@gmail.com to book your place in the first ongoing Bartitsu course in Chicago.

Our instructor

New Zealand citizen and Chicago resident Tony Wolf is one of the founders of the international Bartitsu Society.  A highly experienced martial arts instructor, he has taught Bartitsu intensives in England, Ireland, Italy, Australia, Canada and throughout the USA.  Tony also edited the two volumes of the Bartitsu Compendium (2005 and 2008) and co-produced/directed the feature documentary Bartitsu: The Lost Martial Art of Sherlock Holmes (2010).

Bartitsu at Forteza Fitness, Physical Culture and Martial Arts (Chicago, IL)

Tony Wolf will be teaching an intensive introductory Bartitsu seminar, with the option of an ongoing six-week training course, among the many attractions of the new Forteza Fitness, Physical Culture & Martial Arts school in Ravenswood, Chicago (website forthcoming).

What is Bartitsu?

In the year 1899, Edward William Barton-Wright devised a system of cross-training between jujitsu, British boxing, kicking, wrestling and self defense with an umbrella or walking stick.  Bartitsu was created so that the ladies and gentlemen of London could beat street gangsters and hooligans at their own dastardly game.

Promoted via magazine and newspaper articles, exhibitions, lectures and challenge matches, Barton-Wright’s School of Arms and Physical Culture quickly became a place to see and be seen.  Famous actors, athletes and soldiers enrolled to learn the mysteries of Bartitsu.

After Barton-Wright’s school closed down under unknown circumstances in early 1902, Bartitsu was abandoned as a work in progress and almost forgotten throughout the 20th century … apart from a famous, cryptic reference in Sir Arthur Conan Doyle’s “The Adventure of the Empty House”.

One hundred years later, the International Bartitsu Society was formed to research and then revive the “New Art of Self Defence”.  The modern revival is an open-source, community-based effort to continue Barton-Wright’s radical cross-training experiments.

What will we learn?

The introductory seminar will begin with a discussion of the origins, loss and revival of Bartitsu.  A series of warm-up exercises will then segue into drills and games exploring several of Barton-Wright’s fundamental principles of combat, especially the skills of manipulating an opponent’s balance and of tactical spontaneity.

We will then study a representative series of jujitsu and stick fighting sequences taken directly from Barton-Wright’s original system.  Next, we’ll work on transitioning from set-play sequences into a more realistic freestyle format, referring to the principles explored earlier in the day, before a warm-down and Q&A session.

Participants who wish to follow through into the six-week, twelve lesson basic training course will find this seminar an excellent grounding in the art of Bartitsu.

Where?

Forteza Fitness, Physical Culture and Martial Arts

4437 N. Ravenswood
Chicago, IL

Patterned after a Victorian-era physical culture studio, Forteza features a 5000 square foot training area with brick walls and high timber ceiling.  The training area is equipped with mats, weapons and a “gymuseum” of functional antique physical culture apparatus including Indian clubs, iron dumbbells and medicine balls, as well as rowing and weightlifting machines dating to the late 1800s.

When?

Sunday, January 22nd; 11.00 – 5.30 pm, with a half-hour lunch break.

How much?

$60.00 pays for your place in the introductory seminar and automatically deducts $25.00 from the cost of the optional 6-week basic training course.

What should I bring?

Comfortable workout clothing, packed lunch if you wish, and a drink bottle.  We will have a limited number of training canes available for the stick fighting portion of the seminar, but participants are encouraged to bring their own sturdy hook-handled umbrella, walking stick and/or roughly 36″ hardwood dowel, with any edges smoothed away.

I’m in! How do I register?

Email us to pre-register – we will confirm your registration and send you a PayPal link.  Alternatively, you can pay by cash or check on the day.

Bartitsu and Suffrajitsu demonstrations at WMAW 2011

Tony Wolf and “Professor X” demonstrate Bartitsu as self defence for the gentleman about town:

A Jujitsuffragette takes the stage:

Bartitsu seminar in Racine, Wisconsin (October 8 & 9)

Instructor Tony Wolf will lead a Bartitsu seminar at the DeKoven Center‘s 1875 vintage gymnasium in Racine, Wisconsin. The seminar will run from 12:30 to 5.00 pm each day on the weekend of the 8th & 9th of October, 2011. The beautiful DeKoven Center, originally a 19th century university campus, is located at 600 21st Street in Racine, Wisconsin.

What is Bartitsu?

In the year 1899, an English gentleman named Edward William Barton-Wright created the “New Art of Self Defence” that he called Bartitsu; a combination of low kicking, jiujitsu, fisticuffs and walking stick fighting, designed to beat the fearsome street gangs of Edwardian London and fin de siècle Paris at their own dastardly game.

Bartitsu was the first “mixed martial art” to combine Asian and European fighting styles. It was later incorporated as “baritsu” into the Sherlock Holmes stories, and was used by Holmes to throw his arch-enemy, Professor Moriarty, to his doom from the top of Reichenbach waterfall.

What will we learn?

This seminar provides an intensive, practical grounding in this fascinating system, first taught circa 1900 at the Bartitsu School of Arms and Physical Culture in London’s Shaftesbury Avenue.

Canonical Bartitsu refers to “Bartitsu as we know it was”; the self defence skills and sequences that were specifically presented as Bartitsu by Barton-Wright and his associates between 1898-1902. Neo-Bartitsu refers to the modern application of the art, continuing Barton-Wright’s martial arts experiments in the 21st century; it is “Bartitsu as it may have been and as it can be today”.

We will begin with warm-up exercises taken from the 19th century “physical culture” repertoire before exploring the underlying principles and tactics of Bartitsu, via lessons in the unique combination of fighting styles that made up Barton-Wright’s arsenal of tricks.

The seminar will include:

• a selection of the original self defence sequences represented in Barton-Wright’s classic article series, “Self Defence with a Walking Stick” and “The New Art of Self Defence”

• practical examples of both the canonical and neo-Bartitsu blends of jiujitsu, scientific boxing, low kicking and stick fighting

• discussions on the fascinating history and revival of Barton-Wright’s New Art of Self Defence, the “hold-up” tactics of 19th century street gangsters and the counters developed by self defence masters of the period, and the jiujitsu training of the Bodyguards of the radical Suffragette movement.

This introductory seminar is suitable for participants of all experience levels, though prior intermediate-level training in martial arts, boxing, fencing and/or stage combat will be an advantage.

What should I bring?

Please bring suitable exercise clothing, including shoes; a sturdy cane (crook handle preferred), or strong, smooth dowel approx. 36″ long. Fencing masks, boxing gloves and judo gi jackets are useful, but are not required.

Enrollment

$100.00 per participant until September 17th, with the possibility of the price coming down as more participants enroll before the deadline. Once the deadline of September 17th is past, the fee stays at $100.00 per person.

A bag lunch and water will be supplied for each participant free of charge.

For further information please contact the organiser, Mr. Mario Baleywah, at handmbaleywah@att.net .

“Bartitsu: The Lost Martial Art of Sherlock Holmes”

Announcing the long-awaited DVD release of the first feature documentary on Bartitsu, the “gentlemanly art of self defence”!

At the end of the Victorian era, E.W. Barton-Wright founded Bartitsu as a pioneering “mixed martial art” combining jiujitsu, kickboxing and self defence with a walking stick. It was also the means by which Sherlock Holmes was said to have defeated his arch-nemesis, the evil Professor Moriarty, in their famous battle at Reichenbach Waterfall.

This groundbreaking documentary was shot on location in Italy, Switzerland, England and the USA. Through numerous interviews, animations, re-enactment sequences, rare archival film footage and historical images, it explores the history, rediscovery and modern revival of Bartitsu.

Please visit the Freelance Academy Press website to view a new preview trailer and photo gallery, read an article about Bartitsu and the documentary production, and to place your DVD order!

Bartitsu and 19th century “antagonistics” at CombatCon

Bartitsu instructor Tony Wolf has been confirmed as a featured guest at CombatCon (June 24-26, 2011 in Las Vegas, Nevada). The CombatCon is planned as a unique celebration of mostly Western martial arts in combination with pop-culture genres including Fantasy, Science Fiction, Horror and SteamPunk. Events and activities will include martial arts classes and demonstrations, a film festival, costume contest, panel discussions, a fight choreography tournament, martial arts competitions and more.

Updates relating to the Bartitsu content will be given here over the coming months and you can learn all about the event, and register to be there, by visiting the official CombatCon website. If you register within the next week, use the code “IAMFIRST” to get 10% off both levels of registration.

ISMAC Bartitsu 2010

It is quite unnecessary to try and get your opponent in any particular position, as the system embraces every possible eventuality, and your defence and counter attack must be entirely based upon the tactics of your opponent. - E.W. Barton-Wright, 1899

Barton-Wright’s precept of adaptability was the central theme of the Bartitsu intensive held at the 2010 International Swordfighting and Martial Arts Convention between September 3-6. The Bartitsu course comprised three two-hour long classes, commencing at 9.00 each morning of the event, and was taught by Tony Wolf.

Day 1 began with a precis of Bartitsu history and then moved into biomechanics exercises, concentrating on the image of the standing human body as an isosceles triangle and exploring the limits of triangular stability. Participants started with solo movements and then experimented with various pushing and pulling techniques to de-stabilise their partners, following Barton-Wright’s first and second principles; “to disturb the equilibrium of your assailant” and “to surprise him before he has a chance to use his strength”.

These exercises were then extended into a basic boxing sequence (parry left lead off, counter with left and straight right combination) in which slow “pressing” contact was made, then adding in a low chopping kick to either the lead or rear ankle/shin. To this sequence was then added the third principle of “straining joints” via leverage against the head and neck, elbows etc., with the choice of joint lock or de-stabilising hold depending on the partner’s physical position following the punches and the kick.

Day 2 commenced with a recap of the (kick)boxing work and then segued into a selection of the canonical Bartitsu stickfighting sequences. Again, the emphasis was on freely applying Barton-Wright’s “three principles” in response to the opponent’s spontaneous defensive and/or counter-offensive actions, as a “bridge” between set-plays and free sparring.

Day 3 also began with a brief (kick)boxing based review, followed by a close examination of two of the canonical jiujitsu paired kata from the tactical and dynamic points of view. The classical set-plays were then “twisted” on the assumption that the opponent muscled through or otherwise interrupted the set sequence of events, the defender’s challenge being to ride with the interruption and spontaneously apply the imbalancing, surprise and joint-locking principles to regain the initiative. There was a digression at one point into a specific newaza (ground grappling) submission lock as an example of maintaining control should the thrown opponent pull the defender down with them.

Martial Arts of the World: An Encyclopedia of History and Innovation

A Bartitsu essay by Tony Wolf is featured in this new two-volume encyclopedia from ABC-CLIO publishing.

You can click this link to visit Martial Arts of the World at Amazon.com. At US$144.00, the encyclopedia is primarily intended for libraries, but serious collectors of quality martial arts literature will want their own copies.

Films from Hollywood to Hong Kong and such competitions as MMA and Ultimate Fighting give us vivid, if oversimplified, images of martial arts in action. But the realities of the world’s martial arts traditions—their histories, philosophies, codes of honor, and methods—are richer than any pop culture portrayal can suggest, with centuries-old combat disciplines practiced in virtually every corner of the globe.

ABC-CLIO’s Martial Arts of the World: An Encyclopedia of History and Innovation is the most authoritative reference ever published on combat disciplines from around the world and across history. Coverage includes Shaolin monks, jousting knights, Roman gladiators, Westerner gunfighters, samurai warriors, and heavyweight boxers. These iconic figures and many more are featured in this title, as well as representatives of less well known but no less fascinating systems, all vividly characterized by expert contributors from around the world who are themselves martial arts practitioners.

Martial Arts of the World comprises 120 entries in two volumes. The first volume is organized geographically to explore the historic development of martial arts styles in Asia, Africa, Europe, and the Americas. The second volume looks at martial arts thematically, with coverage of belief systems, modern martial arts competitions, and a wide range of such topics as folklore, women in martial arts, martial arts and the military, and martial arts and the media.

The encyclopedia offers notably in-depth coverage of areas that have often been neglected in similar works, including martial arts of European, African, South American and Oceanean origins. Another real strength is the emphasis on “Themes” in the second volume, likewise offering truly insightful coverage of the relationship between martial arts training and belief systems, folklore, media, military and paramilitary cultures, performing arts and politics, among other topics.

The four-page Bartitsu entry is featured in the second volume as a case-study of the globalisation of the martial arts. It covers the origins, creation, slide into obscurity, rediscovery and modern-day revival of E.W. Barton-Wright’s “New Art of Self Defence”.

Bartitsu is also referenced in entries on the Jujitsuffragettes, the international spread of jiujitsu, French canne fencing etc.

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