Please help them: donating to the New Zealand earthquake relief appeal

Canterbury Earthquake Appeal

The New Zealand Salvation Army has relaunched its Canterbury Earthquake Appeal in expectation of great humanitarian need in the aftermath of today’s devastating earthquake.

You can donate online (PayPal or credit card) via the Canterbury Earthquake Appeal website. Please specify that your donation is for the ‘Canterbury Earthquake Appeal’.

Your donation will strengthen New Zealand’s response to help those in need. Thank you for your support.

More from “The Hooligan and the Lady”

Some promotional images from the upcoming New Zealand play, The Hooligan and the Lady, which is set in the milieu of Edwardian-era “vaudeville jiujitsu” begun by E.W. Barton-Wright. Click on any of the images to see them at full size.

“The Hooligan and the Lady”

Hooligan vs. Lady from Nick McHugh on Vimeo.

A fight scene/Edwardian-era self defence demonstration from the upcoming play The Hooligan and the Lady by Pauleen Hayes, premiering on February 24th at BATS Theatre in Wellington, New Zealand. The play is based on a book entitled The Life and Adventures of Miss Florence LeMar, the World’s Famous Ju-Jitsu Girl. Published in New Zealand in the year 1913, Life and Adventures is undoubtedly among the rarest and strangest self defence manuals ever written.

Florence “Flossie” LeMar was a pioneering advocate of jujitsu as self defence for women. She and her husband, professional wrestler and showman Joe Gardiner, toured vaudeville houses throughout New Zealand and Australia prior to and even during the First World War. Their signature act showed audiences how a Lady might fell a Hooligan in any number of ways, which are also explained and illustrated in Flossie’s book. The fight choreography shown above is verbatim from the book and was staged by Allan Henry, who also plays the Hooligan.

In addition to jujitsu lessons, Flossie’s book offered a great deal of feminist polemic and a series of very tall tales describing her hair-raising adventures as the “World’s Famous Jujitsu Girl”, taking on desperadoes including opium smugglers in Sydney, crooked gamblers in New York City and an English “lunatic” who believed he was a bear.

Though not without charm, Flossie’s stories have the sharp corners and hard edges typical of early 20th century dime novels. They are also undeniably theatrical and, in combination with an enactment of Flossie’s biography and her fierce feminism, should make for excellent edutainment on stage.