A Bartitsu demonstration was presented recently at the Frazier International History Museum (829 West Main Street, Louisville, Kentucky, USA). Based on a format developed for a similar demonstration by members of the British Royal Armouries interpretation team in 2001, the Frazier demo. was performed by actors playing the roles of Sherlock Holmes and Dr. James Watson.
November 8th marks the 148th anniversary of the birth of E.W. Barton-Wright, the founder of Bartitsu. He was born in Bangalore, India in the year 1860, the son of William Barton Wright, locomotive Superintendant of Madras Railways, and Janet Wright.
“So we’d mostly been doing longsword, in my little group,” says Stephenson. Ropes of muscle on his forearms attest to this, as do the pictures online of a Stephenson-designed spring-loaded practice sword that flexes on impact to soften a blow. “But we became interested in cane-fighting, which was taught in London a hundred years ago or so as part of this school of Bartitsu, founded by EW Barton-Wright, a railway engineer who’d picked up ju-jitsu in Japan. And he brought in a Swiss guy called Vigny who’d taken informal methods of walking-stick-fu and codified them into a system called la canne: he taught the part of the curriculum which involved fighting with walking sticks.”
No way, I say.
“Yeah. There’s a whole curriculum over fighting with bicycles. Pictures of an Edwardian lady in a floor-length dress and a huge hat with flowers, riding primly down a country lane, and when a ruffian comes out she uses some trick with the bicycle to flatten him and rides off. It’s great stuff. The bicycles we’re not sure how to approach, but we’ve created a little assembly line to make rattan canes, with a knob on the end. But there’s, you know, how to use a bicycle pump as a weapon. How to defend yourself with a parasol. Crazy.”
Next weekend I am teaching a short Bartitsu class at the Swordfish event in Gothenburg. There’s a fair bit of interest, including this article in a Swedish MMA magazine.
Here it is in English, courtesy of Tony Wolf
Bartitsu is particularly exciting, because had it not been for the
books about Sherlock Holmes, we would most likely not know anything about
the first time western martial arts where mixed with Japanese
jiu-jiutsu,” explains, Annika Corneliusson, head of GHFS.
Sherlock Holmes and the suffragettes
Sir Arthur Conan Doyle mentions “Baritsu” in one of his books, when the
famous detective tells of his knowledge in self defense. Bartitsu, which
is the real name, was created as a hybrid between jiu-jiutsu, western
wrestling, boxing, savate (French kickboxing) and cane fighting by the
english engineer Edward William Barton-Wright, who had spent a few years
working with railways in Japan. Now these techniques are taught for the
first time in Sweden by self defence instructor James Marwood from
“This is actually a very important part of the European history, not
just because of Sherlock Holmes, but also because the suffragette
movement trained Bartitsu to be able to defend themselves against
attacks by the police,” says Annika Corneliusson.
Since our early September update, the Bartitsu Society has been in contact with the upcoming Sherlock Holmes movie production and has donated copies of both volumes of the Bartitsu Compendium to the project. Of course, this does not mean that what appears in the movie fight scenes will be verbatim Bartitsu, but it’s nice to know that the fight team has access to authentic historical sources for use as inspiration.
I like the idea that (Holmes is) as visceral as he is intellectual. It’s true to the origins of the narrative. He was a martial artist. He did something called Bartitsu, which wasn’t necessarily exposed or utilized in other productions. So we’ve made more of a meal out of that. He’s an intellectual action man, which is pretty consistent with his origins.
This footage was recorded at the International Swordfighting and Martial Arts Conference in Michigan, USA, between July 12-15, 2007. It features a series of mostly canonical Bartitsu unarmed combat and cane demonstrations by myself, with Kirk Lawson assisting.
The theme of the seminar was to use a small selection of canonical and some neo-Bartitsu techniques and sequences to explore two major principles:
1) alignment control, or using your own weight and skeletal structure to disrupt the opponent’s balance and 2) initiative control, either by inviting a particular attack or by executing a pre-emptive attack to control the opponent’s options and movement.
Thus, we were primarily using these sequences as academic examples of certain technical and tactical options, rather than as self defence or competition sequences per se.
The defence between 00.56 and 01.00 is a neo-Bartitsu improvisation combining a number of techniques (palm-heels, a trachea grab, low stamping kick etc.) to reinforce the theme of controlling the opponent’s balance and skeletal alignment.
Thanks to Bartitsu Society member Chris Amendola for editing the footage.
There is a tendency for those looking at Bartitsu to pay especial attention to the jiu-jitsu parts of it, and to discount the necessity of both boxing and savate skills. As Tony reminded us in a recent post to the mailing list, Barton-Wright’s lecture to the Japan Society raised this very point:
In order to ensure as far as it was possible immunity against injury in cowardly attacks or quarrels, they must understand boxing in order to thoroughly appreciate the danger and rapidity of a well-directed blow, and the particular parts of the body which were scientifically attacked. The same, of course, applied to the use of the foot or the stick.