The Bartitsu Sparring Video Competition was initiated in November of 2016. The object was to encourage experimentation with a set of sparring guidelines inspired by the styles practiced at the original Bartitsu Club in London, circa 1901.
Moments from the Bartitsu seminar at the recent Sherlocon 2017 Sherlock Holmes fandom event, which took place at the Nuovo Teatro Orione in Rome, Italy. Aimed at interested novices, the workshop included examples of Vigny walking stick fighting, self-defence with an overcoat and several canonical jiujitsu set-plays.
Members of the Cologne Bartitsu Club demonstrate an interpretation of sequence #2 from E.W. Barton-Wright’s March 1899 article The New Art of Self Defence, “How to Overthrow an Assailant who Attempts to Strike you in the Face”.
Below, Barton-Wright and his unidentified Japanese associate demonstrate the original sequence.
During 1905-6 Renaud (1873-1953) became one of the first French nationals to study Japanese martial arts, training with former Bartitsu Club instructor Yukio Tani and Tani’s fellow instructor Taro Miyake “for two summers, that is two periods of three months each, each day and sometimes twice a day”.
As did Bartitsu founder Edward Barton-Wright, Renaud sought to devise a comprehensive approach to antagonistics. On the subject of various national methods of self defence, he wrote:
… the professors of each one of these sports will, ridiculously, deny the other methods. English boxers mock French boxing, declaring that apart from the kicks, it is not worth giving the time of day; the articles lauding Jiujitsu pretend that a follower of the Japanese science will be capable of pulverising any colossus, in any circumstances, in but three seconds, etc, etc.
One will not find any trace of similar sentiment in this eclectic volume; I simply endeavour to harmoniously gather the really practical methods of defense, whatever their origin, and especially to combine them.
Thus, Defense dans la Rue offers a notably scientific progression of lessons drawn from boxing, savate, jiujitsu, cane fighting and even shooting …
More recently, however, we’ve located the original source for the illustrations used in that article – a photo-feature called “The Art of Stick Defence” in the August 1, 1903 Illustrated London News – and also a September 6, 1903 article from the Chicago Inter-Ocean, which re-uses much of the Tribune article’s text, but offers a set of “new” photographs for some of the techniques.
Significantly, the one sequence of techniques that appeared in the ILN photo-series but not in either of the American articles is also the only known photographic representation of Vigny using the “short end” of the cane in self defence (shown in close-up, above). The use of the short-end grip “as a dagger” in close quarters was frequently remarked upon by observers of his system in action and was both described and sketched by Captain F.C. Laing in “The Bartitsu Method of Self-Defence” (1903).
This sequence is also the only known representation of Vigny defending against an attack with a heavy-buckled belt; a weapon commonly used by London hooligans and other street gangsters during the early 20th century.
TheIllustrated London Newsphotographs are inserted into the New York Tribune text below, with the alternative photos from the Chicago Inter-Ocean article shown alongside for comparison.
In the crowded city, as well as at the lonely crossroads, a man never knows when he may be called upon to defend himself. However vigilant may be the police, however strong the windows of his house, one is never absolutely secure from thug or burglar. However regular may be his habits, however restrained his desires, still there are emergencies which may keep a citizen out until the “owl” hours or call him into unfrequented by-ways.
Street gangs have never seemed bolder than at the present time, and their attacks upon law-abiding citizens are of frequent occurrence. The majority limit their operations to the tenement house districts, but now and then they appear where least expected. Such was the case in the alleged attack upon David Lamar’s coachman in Long Branch by “Monk” Eastman and some other members of his notorious East Side gang.
When a man is called on to face a ruffian, he needs no better weapon than a hickory walking stick. A revolver is likely to harm him more than to help. As soon as a man reaches for his weapon, his adversary has the right to shoot, and the accomplished criminal is almost sure to have his weapon ready first. The stick is the better weapon, because it is quicker. It is in one’s hand already. It is always “loaded.”
In such a crisis the first blow counts. At such a time neither endurance nor strength is as important as quickness. There is only one round, and in most instances there is only one blow. The man who gives it first, and gives it right, is the victor. One does not need to be an experienced boxer or wrestler, for his adversary on such occasions is not likely to observe the Marquis of Queensberry rules nor the laws of the Graeco-Roman school of wrestling. Foul means are fair at such times.
In the city of London the crime of the highwayman and burglar has increased to such an extent that many schools have sprung up in the great English metropolis where one may learn the art of stick defence. The schools have proved popular, and many of the professional fencing and boxing masters have included courses in which the pupil is taught to handle the stick.
The instruction is simple, and contrasts in a striking degree with the complicated science of fencing. Neither is it anything like the old art of handling the singlestick, where two men armed with sticks parry with each other for an opening to administer a blow. Stick defence differs from all these manly exercises in this essential — it is not a pastime between sportsmen; it is a quick and safe method of knocking out a thug.
Many a busy New Yorker, however, would never learn the art of stick defence, even though he believed it would someday save his life, if he had to go to a gymnasium or a fencing school to learn it.
“I simply haven’t the time,” such a man would say.
For the same reason he has long wished to be a boxer, and secretly envied the splendid muscles of the athletes he sees at the beach when he goes down there for a Sunday swim. Neither does he know anything about wrestling, nor many another manly sport which would not only befriend him in an hour of need, but, best of all, build up his physique and enable him to work harder and longer, and yet feel far less weary when he leaves his office at night.
Stick defence, however, can be learned at home more easily, perhaps, than any other art of self-defence, and after a few general rules are mastered the beginner may learn how to apply them in many effective ways. He must, first of all, have a roommate or some other good friend who is willing to play the “thug” and to be ‘”knocked out” some half hundred times. In imagination the “thug’s” arms will be broken, his wrists and ankles dislocated and his neck twisted.
The thug who is of Anglo-Saxon origin generally makes his assault with his fists. If he doesn’t, he pulls a pistol. His most common fist attack is to strike his purposed victim in the face with his left hand, and to hold back his right ready for a blow in the stomach. Nine times out of ten such a ruffian overwhelms his man, and even an experienced boxer may fail to thwart such an assault, but the man with a stick, should he handle himself right, ought not only to withstand his enemy, but also break his arm.
As soon as the stick man sees what his assailant is up to, he clutches his enemy’s left hand with his own, and with his right, holding his stick and guarding his stomach at the same time, he cracks the thug’s arm on the crazy bone, at the elbow. At the same time he strikes he twists the arm inward, so as to make the pain of the blow still more acute. If the stick man wants to strike hard enough he can break a thug’s arm in this way.
Should one find it impossible to use this device in withstanding a left-handed attack, there is another way which proves almost as efficient. As the thug rushes for his man, the stick man grasps his cane at the small end with his left hand, and with his right he clutches it near the handle. His hands are near enough together, however, so that his right elbow is at an angle of 90 degrees, and with this protruding elbow he wards off the swing of the thug’s left arm. At the same time he thrusts the handle of his cane under the chin of his foe and topples him over on his back. In case of a right-handed attack, the man with a stick meets it in the same fashion, but with opposite hands.
Unless the sight of a pistol’s muzzle unnerves him, the man with a cane is able to dispose of the thug who pulls a gun easier than if he used only his fists. If the pistol puller is left handed, an upward blow of the cane is best, for it knocks the weapon high into the air, and does not swerve the barrel sidewise, so that the bullet is likely to reach the heart of its intended victim.
But in ninety-nine cases out of a hundred the gun is in the right hand, and the stick man need only drop to his knees and, at the same time, strike his would-be murderer a sharp side-wise crack on the knuckles to disarm him.
As the Anglo-Saxon uses his fists, so the Italian and Spaniard have recourse to the knife. Unless such a thug is left-handed, he strikes with his right hand, and he is met by the stick man in much the same way as a left-handed fist blow is averted, by the thrust of the cane’s handle under the chin. The stick man, however, holds his arms differently. He now bends his left elbow to avert the stab and shield his vitals.
As a general thing, the thrust of a cane under the chin partially strangles a thug and so disconcerts him that he drops the blade from his hand. Should the ruffian use his left hand, the man with a stick grasps his weapon with his right hand around its small end and his left about its centre, and with his right elbow shielding his breast he gives the strangling thrust into his enemy’s neck.
The German also has his way of holding up a pedestrian. In the gymnasium or army he has been trained in the use of the broadsword, or even as a peasant boy he has had “schlagen” matches with his playmates. So when a Teuton who has settled in the New World descends to deeds of violence he generally uses a stick. His fate, however, at the hands of the master of stick defence is likely to be as instantaneous as that of the Anglo-Saxon or the Italian.
In meeting this kind of an enemy, an umbrella or a cane with a hooked handle is the best weapon. The stick man catches the cane of his foe, hooks his assailant around the neck and jerks his head forward. At the same time he raises his knee so that the face of the thug strikes against it with great force. This treatment makes a man see so many stars that he invariably drops his cane, and thus surrenders himself to the mercy of his victor.
Some thugs have a way of coming up on their victims from behind and disconcerting them with a kick. The stick man who knows the tactics of thugs is prepared for this kind of assault. As soon as he suspects what is to occur he wheels on his heel and hooks the thug by the foot with the handle of his cane or umbrella. This is sure to send the ruffian over backward on to his back. Another way is to dodge the kick, and crack the upraised leg with a stick over the knee. Such a blow will break a man’s leg if it be administered hard enough.
Tactics which might supplement those of the stick men have been introduced into the United States Navy. They are trick catches which are, for the most part, based on the Japanese system of wrestling. A sailor renders an assailant powerless simply by twisting his muscles the wrong way. It is called the leverage system, for the reason that it tends to pry a victim’s joints apart by using the bones as levers one against another. Should a New Yorker combine both the tactics of the London stick man and the United States naval wrestler, it is safe to say that the police of this city would have far fewer holdups and burglaries to record than at the present time.
The Bartitsu Compendium, Volume 1: History and the Canonical Syllabus (2005) and The Bartitsu Compendium Volume II: Antagonistics (2008)
Compiled by members of the Bartitsu Society, volumes 1 and 2 of the Bartitsu Compendium are availablein print from Lulu.com.
Volume I collates most of the canonical Bartitsu material and features over two hundred and seventy pages of original essays, rare vintage reprints and never-before-seen translations, illustrated with hundreds of fascinating photographs and sketches.
Volume II provides resources towards continuing Barton-Wright’s martial arts experiments. It combines extensive excerpts from fifteen classic Edwardian-era self defence manuals, including well over four hundred illustrations, plus a collection of long-forgotten newspaper and magazine articles on Bartitsu exhibitions and contests; new, original articles on Bartitsu history and training; a complete course of Edwardian-era “physical culture” exercises; personality profiles, essays and more besides.
Bartitsu: The Lost Martial Art of Sherlock Holmes documentary (2011)
At the end of the Victorian era, E. W. Barton-Wright combined jiujitsu, kickboxing, and stick fighting into the “Gentlemanly Art of Self Defence” known as Bartitsu. After Barton-Wright’s School of Arms mysteriously closed in 1902, Bartitsu was almost forgotten save for a famous, cryptic reference in Sir Arthur Conan Doyle’s The Adventure of the Empty House.
In this fascinating 54-minute documentary shot in Switzerland, Italy, the UK and the USA, host Tony Wolf reveals the history, rediscovery and revival of Barton-Wright’s pioneering mixed martial art.
London, 1914: The leaders of the radical women’s rights movement are fugitives from the law. Their last line of defense is the secret society of “Amazons”: women trained in the martial art of bartitsu and sworn to defend their leaders from arrest and assault.
After a series of daring escapes and battles with the police, the stakes rise dramatically when the Amazons are forced into a deadly game of cat and mouse against an aristocratic, utopian cult…
The Suffrajitsu graphic novel trilogy is available as e-books from Amazon and comiXology – we strongly recommend comiXology’s Guided View system for a fluid, intuitive online reading experience – as well as in print form as part of the Blood and Honor anthology.
The video and class draw from Marcus Tindal’s highly eccentric article, “Self-Protection on a Cycle – How you may Best Defend Yourself when Attacked by Modern Highwaymen, Showing how you should Act when Menaced by Footpads, when Chased by another Cyclist, and when Attacked under various other Circumstances; showing, also, how the Cycle may be used as a Weapon”, which appeared alongside E.W. Barton-Wright’s Bartitsu articles in Pearson’s Magazine during 1901.
Some more fast, athletic sparring in the Vigny style from instructors at the Gemeiner Academy of Savate in Australia. Chief instructor Craig Gemeiner was a pioneer in the reconstruction of Pierre Vigny’s unique method of stick fighting.