Some scenes from the upcoming Bartitsu documentary, scheduled for release in early 2010. These shots are from a re-enactment of a Jiujitsuffragette “Bodyguard” training session circa 1913.
The Sherlock Holmes Handbook: the Methods and Mysteries of the World’s Greatest Detective is a new book in the “cleverly themed how-to” genre. Taking its inspiration from the adventures of Sir Arthur Conan Doyle’s iconic investigator, the book offers hints and tips on “How to Use Deductive Reasoning”, “How to Master a Dozen Disguises” and, of course, “How to Defend Yourself”.
The latter section includes a quick summary of Bartitsu lore, correctly identifying Holmes’ “baritsu” primarily with Japanese unarmed combat, although not clarifying that Bartitsu actually included boxing, savate, wrestling and stick fighting as well. However, further items in the self defence section refer to Holmes’ abilities as a boxer, fencer and singlestick fighter, and offer very basic instruction in each of these areas.
A great Christmas gift for Holmes/Bartitsu aficionados, and a great companion piece to “the Art of Manliness” (see previous post).
In 2008 the popular Art of Manliness website featured an extensive article on Bartitsu. An expanded version of that article appears in the new Art of Manliness book, available from Amazon.com.
Generation X and Y is a generation of Lost Boys. We live in a Never-Never-Land where boys stay boys and never become men. More and more males today are putting off college, family, and adult responsibilities in order to play video games and do keg stands. The Art of Manliness is dedicated to helping men uncover what manliness means in the 21st century. What skills and knowledge should a 21st century man acquire? What traits should they develop? This book will have the answers.
Further filming for the upcoming Bartitsu documentary took place recently in Switzerland, London and Northumberland. The Swiss shoot was managed by Ran A. Braun and Tony Wolf, while in London Wolf was ably assisted by Lawrence Carmichael.
Interviews were held in London with Dr. Emelyne Godfrey, and in Northumberland with martial arts historians Harry Cook and Graham Noble.
Additional footage was shot in Shaftesbury Avenue, the location of the original Bartitsu Club; Kingston-on-Thames cemetery, the site of E.W. Barton-Wright’s grave; Leicester Square, outside the Empire Theatre where Barton-Wright held some of his early Bartitsu exhibitions, and other locations.
Further filming is scheduled to take place in Italy, the USA and the UK over the next month. Stay tuned for details!
The new Bartitsu newspaper archive includes over two hundred pages from the Daily Mirror and Daily Express newspapers, mostly dating from the first years of the 20th century.
Many of the references are just snippets, but there are some more substantial articles in the archive as well.
Suggested search-terms include: Bartitsu, Barton-Wright, Vigny, Tani, Uyenishi, Cherpillod, savate, jiujitsu, judo, self defence.
Between September 9-13, the beautiful 19th century campus of the DeKoven Center (Racine, Wisconsin) was the venue for the 10th annual Western Martial Arts Weekend conference. This was the first year that Bartitsu was included in the WMAW lineup.
The conference was sold out some months in advance, having attracted a record-breaking 160 participants from 6 countries. As we enjoyed perfect weather every day, almost all of the classes took place under the oak trees on the DeKoven Center lawns, with 4 classes of (typically) 40 students each training in a panoply of Western martial arts disciplines. Students were able to choose classes from four “tracks” including Fundamentals, Medieval Martial Arts, Renaissance and Early Modern Martial Arts and Close-Quarters Combat.
The 3-hour Bartitsu seminar took place on the morning of Day 4 and began with a precis of the cultural history of Bartitsu. The three major “themes” of this seminar were initiative control via pre-emptive striking/feinting and invitation, alignment control via efficient biomechanics and the process of martial improvisation.
We began with a series of basic exercises in alignment – using one’s own posture and skeletal structure, represented as a triangle, to control a partner’s triangle to the point of imbalance. These exercises were then formalised into a selection of basic boxing and savate techniques and into some examples of canonical jiujitsu kata.
The neo-Bartitsu process of “twisting” canonical sequences into improvisational exercises was then applied to the kata, and subsequently to a series of Bartitsu stick fighting set-plays. Participants were challenged to spontaneously recover the initiative after “something goes wrong” with the set-play (for example, the opponent defeats a particular technique; how to flow with the disruption and re-establish control of the fight?)
I was very happy with the students’ progress and particularly enjoyed working with some fellow Bartitsu practitioners from clubs in Seattle and San Francisco, who also asked for an informal private lesson.
In all, WMAW 2009 bodes very well for the continued growth of interest and enthusiasm for Bartitsu in the wider Western martial arts community.
Mr. Reppion’s article is an entertaining and informative look at Bartitsu history and links to the Sherlock Holmes adventures and the women’s suffrage movement in the early years of the 20th century – recommended reading.
I have just returned from a very busy two-week tour of Italy, teaching Bartitsu and stage combat master-classes and preparing for an exciting new project: a Bartitsu documentary!
I would like to begin by thanking my hosts, especially Bartitsu Italia and the Cletarte cultural organisation, for their tireless and expert support. From arranging hotel accommodation and sight-seeing expeditions to dinners and press conferences, they were a delight to work with and I hope to visit them again soon.
The three-day masterclass series in Rome was a great success, with a wonderfully enthusiastic body of students representing the gamut of martial arts and stage combat experience. It was held in a new (in parts, still under construction) sports and exercise facility in the heart of the city.
Day one was devoted to learning about the cultural history and basic principles of Bartitsu: the biomechanical and tactical precepts that underlie Barton-Wright’s fusion of boxing, jiujitsu, savate and stick fighting, and the process of applying neo-Bartitsu drills to many of Barton-Wright’s canonical self defence sequences.
The second day was largely given over to the application of Bartitsu to stage combat and stunt fighting, and day three was devoted to neo-Bartitsu as self defence. The Rome seminars generated nine hours of professionally shot high-def video footage.
While in Rome I was also privileged to be able to visit the fencing school of Maestro Renzo Musumeci Greco, which has been run continually as a sala d’armi by members of the Maestro’s family since the 1870s.
After flying to the lovely resort town of Amantea in Calabria (Southern Italy), we spent an intensive three days filming re-enactments and other footage for the Bartitsu documentary, including (by special and unusual permission) some scenes at the Palazzo delle Clarisse.
The final stop was in Savona, where I adjudicated a stage combat and historical fencing tournament at the magnificent Priamar fortress and taught a four-hour Bartitsu seminar for tournament participants. Again, their enthusiasm (and good-natured tolerance for my feeble attempts at spoken Italian) was much appreciated.
Finally, notes of personal thanks to Ran, Aile, Rocco, Jerome, Paolo, Angelica, Filomena, Gaetano, Luca, Daniele, Alessandro, Michele and Giuseppe. Grazie mille.
Bartitsu lessons will feature at the Hampton National Historic Site’s “Manly Arts” day (Maryland, USA). This event will showcase the range of martial arts and combat sports available to gentlemen of the 18th and 19th centuries.