E.W. Barton-Wright vs. the Georgia Magnet (1895-1899)

Comparatively little is known about the period that Bartitsu founder E.W. Barton-Wright spent living in Kobe, Japan. Arriving during mid-1895, he spent the next several years supervising an antimony smelting operation for E.H. Hunter and Company, a large manufacturing business. Most of his free time was apparently spent training at the Shinden Fudo Ryu jiujitsu dojo of his sensei, Terajima Kuniichiro.

However, we do have a curious detail of Barton-Wright’s activities in Kobe one evening during November of 1895, when he was part of a committee invited to test the purportedly supernatural powers of a young French-American woman known as “Annie May Abbott, the Georgia Magnet”.

Who was the Georgia Magnet?

Annie May Abbott - Matilda Tatro - re. Barton-Wright in Kobe

“Annie May Abbott”, whose real name was Matilda Tatro, was actually one of the most successful of several “Georgia Magnet” performers. This “Magnet act” had been touring music hall and vaudeville stages since 1883, when Lulu Hurst, the original Magnet, first rose to prominence in the USA. “Magnets” were typically slender young women who claimed to be able to manipulate a hitherto-unknown power, said to be akin to electricity or magnetism, that allowed them to perform superhuman feats of strength, under certain conditions. This description of a Magnet’s performance from a Minnesota newspaper dated October 15, 1890 is typical:

It was the most wonderful and utterly inexplicable exhibition – a genuine phenomenon – ever witnessed in this country. People may scoff and turn up their nose at the supernatural or, unnatural forces, if you please. Hypnotism until recently had but few believers. Mesmerism and kindred phenomena were thought to be high-flown titles for “fraud” and “fake,” but science has taken a hand and dispelled such ideas. It sounds a little “fishy” to state that she lifted two feet clear from the floor nine heavy men at one time, piled upon two heavy chairs, and as easily as the reader would this paper; in fact two gentlemen had their hands interposed between her hands and the chair, with no other contact when the entire mass came up, and those gentlemen assert that there was no more perceptible pressure against their hands than the weight of the hand.

Her muscles were examined during the tests and no sort of muscular action was found. What does it? The committee all tried singly to lift her, which the smallest man could do (she weighs not over 95) when she willed it, but when she preferred not, it remained not. Men tugged till their eyes bulged and they were red and blue in the face, but she remained smiling and as immovable as a block of buildings. Two, three four, six and eight men together expended all their strength in vain to hoist her a particle. She picked men up by the ears, by the head, hoisted them on poles, by her fingers tumbled them around like paper balls.

Many believers in the Magnet’s powers attributed them to a mysterious energy known as the odic force, which was held to be similar to the energies employed in spiritualist seances.

Barton-Wright meets the Magnet

By November of 1895, “Annie May Abbott’s” world tour had brought her to Japan. She and her manager, Richard N. Abbey – who had previously managed another Magnet, whose real name was Dixie Haygood – joined forces with a Professor Frank E. Wood, who served as their translator. They performed a series of shows, or “demonstrations”, at theatres throughout Japan, eventually arriving in Kobe.

The Magnet’s act consisted of two main parts. First, manager Abbey would deliver a short lecture on the mysterious forces that were Miss Abbott’s to command, his speech translated for their largely Japanese audiences by Professor Wood. Then, a committee would be invited onto the stage in order to test these feats as the Magnet herself performed them. The committee was typically made up of volunteers from the audience, ideally large, strong men. The athletic E.W. Barton-Wright would have made a fine candidate, also possessing the distinct advantage of speaking English, so that he would have no difficulty in following Mr. Abbey’s instructions during the “experiments” on stage.

Annie May Abbot in Japan cartoon

After the show, the committee was required to sign a testimonial as to the Magnet’s success in the various feats performed on stage.

How to Pose as a Strong Man

E.W. Barton-Wright’s true impressions of the Magnet’s performance became clear several years later, when he authored a detailed expose of “Georgia Magnet”-type stunts. The illustrated essay How to Pose as a Strong Man (PDF available here) was published in Pearson’s Magazine in January of 1899, and included the statements:

It must not be supposed that it is necessary to possess any unusual strength to pose as a strong man; indeed, in many strong men’s feats, strength plays a less important part than knack and trickery.

… (The Georgia Magnet) declared that it was solely owing to the fact that she possessed remarkable magnetic and electric powers that she was able to perform these feats. This, of course, was not the case, for anyone of average strength, who follows these instructions, will be able to perform them.

Armed with his intimate technical knowledge of “balance and leverage as applied to human anatomy”, which was to become a cornerstone of his Bartitsu martial art, Barton-Wright proceeded to explain how to perform numerous illusions of superhuman strength. He also addressed the psychological aspect of the Magnet’s act, referring to techniques of distracting the audience’s attention from the actual methods employed through “patter” and misdirection.

In fact, aspects of the Magnet act had been repeatedly exposed by academic skeptics in various newspaper and magazine articles dating back to the 1880s, but Barton-Wright’s concise essay, well-illustrated with step-by-step photographs, was unusually accessible to the lay-reader. Therefore, it was with some evident delight that the editor of the New Zealand Graphic newspaper decided to re-print How to Pose as a Strong Man during Annie May Abbott’s extended tour of New Zealand in 1899. In the same issue, the editor printed a satirical cartoon suggesting that the Magnet might use her powers to “lift” certain recalcitrant City Council members out of their seats.

Magnet Auckland Star cartoon

Response from the Magnet’s representatives was swift and came in the form of a politely blistering letter to the editor of the Auckland Star, which was published on September 11th:

I shall be glad if you will allow me space to point out the essential differences between the feats set out in the article and the tests accomplished by Miss Abbott. As a preliminary, I may state that the article in “Pearson’s Magazine” was written by a Mr E. W. Barton-Wright, and was published as a sort of counterblast to a complimentary testimony to the “Georgia Magnet’s” ability, which appeared in the “Strand Magazine.” It must also be remembered that at this time the rival firms of Newnes and Pearson were sparing no effort to go one better than the other.

The above facts are well known, and only require being brought to mind, but it is not generally known that Mr. Barton-Wright attended one of Miss Abbott’s performances in Kobe, Japan, in November, 1895, and as a member of her committee signed his name to a testimonial almost similar to the one signed by the Auckland committee on Tuesday week. Perhaps he was “led by the nose” in the manner so elegantly suggested by Mr. Kent in a recent letter; but probably he signed the document of his own free will. In any case, the publication of his article in the “Graphic” Is calculated to throw discredit upon Miss Abbott, for it attempts to explain her feats as purely mechanical operations.

The Magnet’s defender in this instance was a man named Danvers Hamber, who was at that time the assistant editor of the New Zealand Sporting and Dramatic Review. In a high dudgeon, he proceeded to point out the various ways in which Miss Abbott’s performance differed from Barton-Wright’s descriptions, before finishing:

Mr. Barton-Wright undoubtedly used Miss Abbott’s performance as the foundation of his article. He forgot much in the three years which elapsed between witnessing Miss Abbott’s tests at Kobe and writing the paper. He probably forgot all about signing the testimonial to the lady’s ability, and he certainly let the truth slide in concocting many of the above little stories. His article may probably harm Miss Abbott’s tour through New Zealand. Here in Auckland we have already seen the effect it has upon the medical profession. If it can so disturb members of what is considered a calm and judicious calling, what may it not do with persons who have less control over their judgment?

There may well have been divergences between Barton-Wright’s descriptions and Miss Abbott’s demonstrations. Barton-Wright had addressed the fakery of “Georgia Magnet”-style feats in broad terms, and his article also included several feats that were not part of the Georgia Magnet repertoire. It would be interesting to read the exact wording of the testimonials signed by the various committees, there being a significant difference, for example, between the statements “I saw Miss Abbott resist the strength of several men” and “I saw Miss Abbott use odic force to resist the strength of several men.”

Moreover, as Barton-Wright had explained, there are several ways to perform the various Georgia Magnet “experiments” without resorting to odic force, all of them requiring the practiced application of leverage and balance combined with the ideomotor effect – the influence of suggestion or expectation on unconscious bodily movement. Less spectacularly, the same phenomenon can explain the apparently mysterious workings of spiritualistic phenomena including ouija boards, table turning and dowsing at the psychophysiological level. Some twenty years later, magician, escapologist and arch-skeptic Harry Houdini would also pick up on the relationship between martial arts techniques and those of the music hall charlatans …

… who gave the world of science a decided start about a generation ago.

The jiu jitsu of the Japanese is, in part, a development of the same principles, but here again much new material has been added, so that it deserves to be considered a new art.

Harry Houdini, Miracle Mongers and their Methods, 1920

Mr. Hamber’s fears were somewhat justified, as several other New Zealand newspapers followed the Auckland Star’s lead and printed skeptical editorials as the Magnet’s tour continued through the provinces. The consensus was that, while the show was very entertaining, the “odic force” patter was past its prime. The editor of the Timaru Post asserted that:

.. the “Georgia Magnet” possesses no power, psychic or otherwise, that is not possessed by every member of her sex. As an example. The “Georgia Magnet” holds the downward end of a stick in her clenched right hand, and one or two men are expected to force it through. Why, almost a child could resist their efforts. We know it is claimed that she does not grasp the stick, but we have seen her do it. Every one of her tricks is explainable in as simple a manner, even to the rising of her temperature and simultaneous lowering of her pulse, which seems to have puzzled the doctors so much. Of course, the temperature is raised by her exertions and the surrounding atmosphere, while a couple of minims of tincture of aconite does the rest, as far as the pulse is concerned.

Twice has the “Magnet” been lifted from the local platform, despite her exertions and anatomical distortions, and twice has it been clearly demonstrated that there has been no magnetism or “new force” holding her down, and the nonsense talked about “flesh contact” is as meaningless as it is void of truth.

As previously stated, we have no objection to such exhibitions as shows, merely; but we are bound to protect truth and science from incursions of that description. It is unlikely the Magnet will attract much more in New Zealand, as all the papers are busy exposing her tricks. We have had one “feat” explained to us, and see the impossibility of standing still while clasping a chair in both arms, even though the contrary force is exerted only by some one’s little finger.

It’s unlikely that E.W. Barton-Wright was even aware of the part played by his article in this controversy, but there’s no reason to doubt that it would have pleased him.

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3 thoughts on “E.W. Barton-Wright vs. the Georgia Magnet (1895-1899)”

  1. If E.W. Barton-Wright did sign a testimonial, it would be interesting to know why or what it actually said. Unfortunately, it is the age old problem of history. If it was not written down or if it was written down but then lost, you can only guess with the documents you have available. Very interesting though.

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