He stopped – there was silence. The bell rang again. I was just about to suggest again that he should go and see who was at the outer door when – he leapt at me. And I was unprepared. He had me by the throat before I had even realised that danger threatened.
I am a women, but no weakling. I have always felt it my duty to keep my body in proper condition, trying to learn all that physical culture can teach me. I only recently had been having lessons in jiu-jitsu – the Japanese art of self defence. I had been diligently practicing a trick which was intended to be used when a frontal attack was made upon the throat. Even as, I dare say, he was thinking that I was already as good as done for, I tried that trick. His fingers released my throat and he was on the floor without, I fancy, understanding how he got there. I doubt if there ever was a more amazed man. When he began to realise what had happened he gasped up at me – he was still on the floor – “You … you …”
The above is quoted from the short story Mandragora, part of the Judith Lee detective series written between 1912-16 by Richard Marsh. Among the first protagonists of the still very popular lady detective genre, Judith Lee brought several unusual talents to her role as an amateur sleuth, including an almost uncanny ability to read lips and a willingness to physically apprehend evil-doers, thanks to her training in physical culture and jiujitsu. Certainly, she was among the first heroines in Western literature to have studied Eastern martial arts.
Several of Judith’s adventures are linked to from the Bunburyist website.