A selection of illustrations from the New York Tribune article Unarmed Citizens May Here Learn How To Foil The Ubiquitous Thug (March 10, 1912).
Professor Blomberg’s manual of practical Anti-Vampirism is a must-read for all Ladies and Gentlemen who wish to take arms against the depredations of the “Undead”. Including colorful anecdotes and detailed advice on the selection and use of stakes as close-combat weapons, the proper thing to do when attacked by a vampire bull and the Professor’s own Theory of Vampire Contagion, amongst many other timely and useful tips. Illustrated with numerous woodcut engravings.
The US$2.99 ebook is available here (with free preview).
Many more “adventures” are archived here.
Amidst intrigue and explosions, the Great Detective exhibits some deft atemi-waza (striking techniques), a nonchalant disarm against a pistol-wielding enemy and a picture-perfect combat combination with a tightly-furled umbrella in this new trailer for Sherlock Holmes: A Game of Shadows (opening December 2011).
The following interview with Bartitsu founder E.W. Barton-Wright first appeared in the Pall Mall Gazette of 5 September 1901, during the height of the Bartitsu Club era.
BARTITSU: ITS EXPONENT INTERVIEWED
One of our contributors lately called on Mr. Barton-Wright in his well-appointed gymnasium in Shaftesbury Avenue, when the following conversation took place:
What is the word Bartitsu? – It is a compound word, made up of parts of my own name, and of the Japanese Ju-jitsu, which means fighting to the last.
What do you claim for your system? – It teaches a man to defend himself effectively without firearms or any other weapons than a stick or umbrella, against the attack or another, perhaps much stronger or heavier than himself.
How does it differ from the usual fencing or boxing? – The fencing and boxing generally taught in schools-of-arms is too academic. Although it trains the eye to a certain extent, it is of little use except as a game played with persons who will observe the rules. Most of the hits in (single)stick or sabre play are taken up by the hilt, which a man is not very likely to take out with him on his walks. The head, too, which is a part which an assailant who means business would naturally go for, is so well protected that the learner gets careless of exposing it.
And the boxing? – The same objection. The amateur is seldom taught how to hit really hard, which is what you must do in a row. Nor is he protected against the savate, which would certainly be used on him by foreign ruffians, or the cowardly kicks often given by the English Hooligan. A little knowledge of boxing is really rather a disadvantage to (the defender) if his assailant happens to be skilled at it, because (the assailant) will will know exactly how his victim is likely to hit and guard.
And you can teach any one to protect himself against all this? – Certainly. The walking-stick play we will show you directly. As to boxing, we have guards which are not at all like the guards taught in schools, and which will make the assailant hurt his own hand and arm very seriously. So we teach a savate not at all like the French savate, but much more deadly, and which, if properly used, will smash the opponent’s ankle or even his ribs. Even if it be not used, it is very useful in teaching the pupil to keep his feet, which are almost as important in a scrimmage as his head.
Anything else? – My own experience is that the biggest man in a fight generally tries to close. By the grips or clutches I can teach, the biggest man can be seized and made powerless in a few seconds.
If you sow this knowledge broadcast it might be bad for the police. – Yes; but it cannot be picked up without a regular course of instruction, or merely by seeing the tricks. Moreover, this is a club with a committee of gentlemen, among whom are Lord Alwyne Compton, Mr. Herbert Gladstone, and others, and no-one is taught here unless we are satisfied that he is not likely to make bad use of his knowledge.
It must have taken you some time to work out all this? – Yes, but it was in great measure a matter of necessity. As a mining engineer in all parts of the world, I have often had to deal with very unscrupulous fighters, and, being a light man, I had to protect myself with something else than my fists.
Mr. Barton-Wright then gave our contributor a demonstration of his method. His fencing-master, M. Pierre Vigny, stripped to the waist and without any other weapon than an ordinary walking-stick, will allow you to attack him with singlestick, sabre, knife or any other short weapon without your being able to touch him, he taking all blows on what fencers call the forte of his stick. He will at the same time reply on your head, and knuckles; while, if he is given a stick with the ordinary crook handle, he will catch you by the arm, leg or back of the neck, inflicting in nearly every case a nasty fall. He has also a guard in boxing on which you will hurt your own arm without getting within his distance, while he can kick you on the chin, in the wind, or on the ankle. As to the usual brutal kick of the London rough, his guard for it (not difficult to learn) will cause the rough to break his own leg, and the harder he kicks the worse it will be for him.
Mr. Barton-Wright himself shows you wrestling tricks, by which, by merely taking hold of a man’s hand, you have him at your mercy, and can throw him on the ground or lead him about as you wish, the principle being, apparently, that you set your muscles and joints against your opponent’s in such a way that the more he struggles, the more he hurts himself.
A couple decidedly bad to beat.
Announcing a new course via the Black Boar Swordsmanship School in Cupar, Fife, Scotland:
“Antagonistics” is the catch-all name for the art of self-defence in the 19th Century, comprising elements of Pugilism (boxing), French Kickboxing, Grappling (wrestling, jiujitsu, “dirty tricks”), Physical Culture (fitness), Stick (walking canes, umbrellas) and Weapons (knife, truncheon, swordstick).
Each aspect will be taught primarily according to the theory and techniques of Emile Andre, a noted French fencing master, who combined these Arts into a simple, yet effective, system of practical self-defence that any Gentleman who has knowledge of the sword arts can learn and apply easily.
The class will be taught as a mix of technical practice in pairs and pad-work for practical application.
The instructor will be Phil Crawley and the first class is free, thereafter £5 per session.
Loose, practical clothing/Black Boar uniform, fencing mask, forearm protection.
Groin/chest protection is recommended.
All other equipment will be provided.