Suffrajitsu – now in print!

Blood and Honor print copies

The Suffrajitsu trilogy is now available in Blood and Honor, a printed collector’s edition from Jet City Comics. This new print anthology also features two other Foreworld Saga trilogies; The Dead God and Symposium.

Inspired by the adventures of the real-life suffragette Bodyguard unit circa 1914, Suffrajitsu: Mrs. Pankhurst’s Amazons was written by Bartitsu instructor Tony Wolf. The story features a strong Bartitsu theme, including scenes set in E.W. Barton-Wright’s martial arts academy, which serves as the Amazons’ gymnasium and secret headquarters.

Bartitsu Club

The trilogy is also available in e-book format via both Amazon.com and comiXology.

A 1960s survival (or revival?) of Bartitsu stickfighting

We’re pleased to present this short interview with author Nigel Gordon, who reports that he studied Bartitsu stick fighting as a young teenager in Wednesbury, Staffordshire, UK during the early 1960s.

Given that we have been unable to successfully document any survival of Bartitsu as a named fighting style after early 1902 – with the notable quasi-exception of the “baritzu” exhibitions performed by some Australian soldiers during 1906 – Mr. Gordon’s reminiscences are likely to be of considerable interest to modern Bartitsu enthusiasts.  We hope that this interview will spur further research into the possible survival or revival of E.W. Barton-Wright’s system into the mid-20th century.

Please forward any questions for Mr. Gordon to tonywolf@gmail.com.

Above: Church Hill, Wednesbury.

Nigel Gordon: There was a club practising Bartitsu in Wednesbury in Staffordshire as late as 1963.  However, it only practiced the stick fighting elements of Bartitsu. It originally met to practice in a school hall on Church Hill in Wednesbury but in 1961 moved to rooms over the Co-op in Union Street and the 5th Wednesbury Scout hut. The scout master of the 5th Wednesbury was a member of the club.  In 1963 it lost use of the rooms over the Co-op and the club closed.

How did you become involved with the club?

I attended the club as a 14 year old at the instigation of my scout master.  At the time the club had some eight or nine members, the majority of who were in their sixties.  The instructor was a chap called Frank Small.

Are you aware of any other Bartitsu-related activity at that time?

I know that there was also a club in Solihull around the same time and I believe there was a similar club in Tipton but have no information about either other than the fact that on one occasion a couple of member from the Solihull club came over to the Wednesbury club.

I believe that there was some connection between Sensei (Reg) Bleakman, who founded Budo of Great Britain and the Solihull club.  In 1980 or ’81 I was discussing stick fighting with Sensei Bleakman and he mentioned having studied it in Solihull in the 1960s and referred to it as the “Barton-Wright’s system of stick fighting”.  He also told me that he had taken some ideas from Barton-Wright’s self-defence system when he developed Atemi Jutsu, though he never mentioned Bartitsu (by name).

Do you recall how Bartitsu made its way to the West Midlands?

My memory is, and this may not be accurate as it is over 50 years ago,  from what I gathered at meetings was that Frank Small’s uncle brought Bartitsu to the West Midlands after the First World War.  To be honest I can’t be sure it if was called “Bartitsu” or “Barton-Wright stick fighting”.  It may have been the latter, as that was all that was taught.  I think Frank Small taught at all three clubs but can’t be certain of that.

When I mentioned this to Reg Bleakman in 1980 or ’81, he suggested that Frank had revived the system after the war having learnt it from his uncle.  I have no insight on that.

Can you describe what you learned at the Wednesbury club?

As far as I can remember we wore street clothes, though as I said I only attended for a few months, so if any special clothing had been required I probably did not stay long enough to require it.  We trained with the type of canes that teachers used to use at that time.  A light cane with a bent handle.  Though some of the older members used heavier sticks for demonstrations. There were two types of combat practiced, one type being cane against cane, the other being cane against an attacker who might be armed or unarmed.

With respect to specific moves I would be hard pressed to say which techniques I learnt then and which I learnt later from other sources, later when I was studying the martial arts and travelling in Europe.

Did the classes include any type of free-fencing or sparring, or just technical drills?

With respect to fencing/sparring it depends how you define this.  We had some exercises where we were told to use a limited set of attacks, e.g. strikes to the head, and the other party would defend against these.  I was never allowed to do any free sparring or fencing though I recall some of the older members would do what appeared to be free sparring at the end of the training sessions.

“The gentle art of chucking-out and midnight murder”

From “The Truth”, March 16, 1899:

"Fencing and Bartitsu at the Bath Club" - from the Illustrated Sporting and Dramatic News.  Captain Alfred Hutton and W.H. Grenfell demonstrate rapier and dagger fencing, while E.W. Barton-Wright displays Japanese unarmed combat.

Very interesting indeed was the display of Elizabethan sword-play at the Bath Club last week. Messrs. Fraser, Johnson, Cooke, Gate, and the President, Mr. Grenfell, Captains Hutton and Matthey, all showed pretty play with swords, rapiers, and cloaks. The President’s leave-taking before he descended into the arena, or rather on to the bridge of sighs, for the platform is over the centre of the swimming bath, was most pathetic. A two-handed sword broke clean in half. Where was it made? In Germany? There was a large crowd of spectators, and such exhibitions should popularise sword-play.

But the chief attraction was the lecture and display by Mr. Barton-Wright, of the noble science of Bartitsu. It might be described vulgarly as the gentle art of chucking-out (1) and midnight murder. Unfortunately, Mr. Barton-Wright had been chucked out by a cab the day before, and could not, therefore, give a full display. He generously invited all members present as his guests to a public display at the St. James’s Hall. However, despite a bad knee, he was able to show some of the interesting methods of this system of overpowering an opponent. Limbs can be broken at a moment’s notice, and strangulation can be induced in a few seconds. Of course, nothing so ghastly happens-an opponent wisely surrenders. But the method is invaluable for political meetings. Certified Bartitsuers should command a high price at election times (2).

The full display and lecture should certainly be well worth seeing. The lecturer should try to deliver his remarks more slowly. His enunciation is too rapid at times. Owing to his accident he had to shorten his display, and so Dr. Higgens and Instructor Drake had a few lively rounds with gloves, and some pretty trick swimming was added.

(1) – The expression “chucking-out” referred to the occupation and activities of what we would now think of as bouncers or door supervisors.  Subsequent newspaper reports suggest that E.W. Barton-Wright took strong exception to the association of Bartitsu with “chucking-out”, presumably because he was attempting to promote it as self-defence for members of the “educated classes”.

(2) – “Chuckers-out” were in particular demand re. ejecting hecklers from political rallies.

Allen Reed UK seminar

Instructor Allen Reed will be in the UK at the beginning of August, and has offered to run a one day seminar in Basingstoke covering the essentials of Bartitsu – the Canonical and its peripheries. A full day covering cane, pugilism, jujutsu – the core canon of Bartitsu. The session will be suitable for those with or without prior experience of Bartitsu.

If you have them, bring fencing masks/headgear, pugilism/sparring gloves, striking mitts, cane and maybe a gi top. I have spares of some items, but any extra kit is appreciated.

Cost: £30

Click here for more details!

Bartitsu in Toulouse, France

A Bartitsu class at the Ost du Griffon Noir historical martial arts club in Toulouse, France, taught by instructors Claire Hugues and Johann Perrigault (below).

Victorian Martial Arts Symposium (Portland, Oregon)

KPTV – FOX 12

A playful “duel” between KPTV reporter “Zebekiah Pennydragon” and Academia Duellatoria instructor Jeff Richardson, promoting the Victorian Martial Arts Symposium at the GearCon Steampunk conference in Portland, Oregon.

The Seattle Times features BWAHAHAHA

An entertaining article on BWAHAHAHA, Seattle’s “Barton-Wright/Alfred Hutton Alliance for Historically Accurate Hoplology and Antagonistics”.

Bartitsu Demonstration and Artisan Fair (Bethlehem, Pennsylvania)

June 20, 2015
12 pm – 4 pm
Luckenbach Mill
Historic Bethlehem, Pennsylvania

Learn Bartitsu, the gentleman’s form of self-defense popular in Victorian London. Mark Donnelly is an expert in the fighting style used by literary hero Sherlock Holmes. Learn to use the world around you, from umbrellas to snuff boxes. This demonstration will link the realms of history and imagination. Then get outside and enjoy the warm weather at our Steampunk Artisan Fair in the Colonial Industrial Quarter and shop around at local quality crafters’ tables. We will have a large variety of participating crafters at this event so there’s sure to be something for everybody! This event is FREE for HBMS members, and $10 for the general public.

What is Bartitsu?

“This workshop is designed to be an extensive introduction to this esoteric system of self-defense which incorporates: fisticuffs (in the scientific method); savate (use of low kicks in self-defense; grappling(judo/jiujitsu); as well as the use of numerous commonplace Victorian accessories such as walking-stick, cane, umbrella, top hat, snuff box, opera cape, handkerchief, etc. all employed in an effort to maintain ‘preservation of person and property when beset upon by ne’er-do-wells of nefarious intent’.” -Mark Donnelly, Bartitsu Instructor

Click here to book tickets!

Bartitsu in the Court Theatre’s Romeo and Juliet

R&J Bartitsu

Tybalt (Owen Black, left) and Benvolio (Ben Freeth, right) engage in some Bartitsu cane fighting in a rehearsal for the Court Theatre’s (Christchurch, New Zealand) production of Romeo and Juliet. This take on Shakespeare’s classic romantic tragedy is set during a stylised Edwardian era and features fight choreography by Bartitsu instructor Tony Wolf.

Bartitsu at the Steampunk World’s Fair

Bartitsu instructor Mark Donnelly (centre) teaches an introductory seminar at the recent Steampunk World’s Fair in Piscataway, New Jersey.

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